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The above characterizations, particularly that which concerns their existential situation, are also demonstrated in one of the play's recurring themes, which is sleep. There are two instances when Estragon falls asleep in the play and has nightmares, about which he wanted to tell Vladimir when he woke. The latter refuses to hear it since he could not tolerate the sense of entrapment experienced by the dreamer during each episode. This idea of entrapment supports the view that the setting of the play may be understood more clearly as dream-like landscape, or, a form of Purgatory, from which neither man can escape.[original research?] One interpretation noted the link between the two characters' experiences and the way they represent them: the impotence in Estragon's nightmare and Vladimir's predicament of waiting as his companion sleeps. It is also said that sleep and impatience allow the spectators to distinguish between the two main characters, that sleep expresses Estragon's focus on his sensations while Vladimir's restlessness shows his focus on his thoughts. This particular aspect involving sleep is indicative of what some called a pattern of duality in the play. In the case of the protagonists, the duality involves the body and the mind, making the characters complementary.
In 1957, four years after its world premiere, Waiting for Godot was staged for one night only at the San Quentin State Prison in California. Herbert Blau with the San Francisco Actor's Workshop directed the production. Some 1,400 inmates encountered the performance. Beckett later gave Rick Cluchey, a former prisoner from San Quentin, financial and moral support over a period of many years. Cluchey played Vladimir in two productions in the former Gallows room of the San Quentin California State Prison, which had been converted into a 65-seat theatre and, like the German prisoner before him, went on to work on a variety of Beckett's plays after his release. Cluchey said, "The thing that everyone in San Quentin understood about Beckett, while the rest of the world had trouble catching up, was what it meant to be in the face of it." The attitude of this troupe was to move it away from a commercial attitude to an avant garde attitude. As well, the play did not have competition between the actors playing Vladimir and Estragon for being the star of the show. The most successful showing was in November 1957 at the San Quentin prison, where the play had a profound impact on the inmates and spurred them to start a drama group in the prison. They would go on to produce seven of Beckett's works. In 1958, the play, produced by the San Francisco Actor's Workshop, would be chosen to go to Brussels for the 1958 World's Fair.
On the other hand, theatrical adaptations have had more success. For instance, Andre Engel adapted the play in 1979 and was produced in Strasbourg. In this performance, the two main characters were fragmented into 10 characters. The first four involved Gogo, Didi, Lucky, and Pozzo while the rest were divided into three pairs: two tramps, a pair of grim heterosexuals, and a bride raped by her groom. Each of these embodied some characteristics of Estragon and Vladimir. A similar approach was employed by Tamiya Kuriyama who directed his own adaptation of the play in Tokyo. These interpretations, which only used extracts from the dialogues of the original, focused on the minds of the urban-dwellers today, who are considered to be no longer individuals but one of the many or of the whole, which turned such individuals into machines.
It is not possible to summarize all of these requirements in a single guideline. However, there are some basic requirements that apply to most, if not all, means of egress evaluations. These basic requirements are listed below and are meant to help facility managers and designers recognize that a room or space is obviously over capacity, or that a second means of egress will be necessary. Please keep in mind that this is only a general guide and should not be relied upon to set occupancy capacities. EHS must be consulted before increasing the posted occupancy limit for any room or space and plans must be submitted to our office for any construction, remodeling, or renovation project that will alter the means of egress.
Even with Security Cameras and Turrets put in place, the clinic still became a hotbed of violent activity. A number of citizens looking for medical supplies broke in, and the ensuing chaos has left the waiting room in shambles, and the surgery a bloody scene straight out of a nightmare.
In an attempt to cure himself of the effects of Code Yellow, Jack journeys to the Clinic of Dr. Yi Suchong to find a dose of Lot 192. When he first arrives at the Artemis Suites, a Nitro Splicer stands outside the clinic guarding the area from intruders. The clinic itself is well protected: a Security Camera positioned on the west wall sounds as soon as one steps through the door, a low slung electric trap wire prevents one from running forward for cover, and a Machine Gun Turret guarding the back forms the final defense. The central part of the clinic has a waiting area in the front with two couches, a pair of metal bunk beds and a Gene Bank in the back. The eastern room is a converted bathroom and kitchen that served as a surgery wing. It's also a bloody mess, with bodies everywhere. In one of the stalls is the Medical Expert 3 Gene Tonic, but a Leadhead Splicer is playing dead in front of it. The western room contains Suchong's office and a secured test area where he performed the Protection Bond experiment and other tests on Big Daddies. After Jack takes a dose of Lot 192, several Splicers will spawn outside for Jack to deal with.
Multiple studies have found that children with ADHD are more likely to fidget or seek out other forms of stimulation (like playing or talking to others) in environments with low or no stimulation. In one example, children with ADHD were better at sitting still in a waiting room when there was a video to watch compared to when there was no form of stimulation.
Filtering heavy traffic loads by moving excess users into a virtual waiting room, they become part of an online queue, and with the pressure on the servers removed, they continue to work as normal at optimum speed.
Creating an account, adding their address and banking details will help users feel like they've already started the buying process when really, they're still sat in the virtual waiting room. Consider how different that feels to them and how it can change the emotions of their buying experience, as well as increasing efficiency
A small number of participants who had specific individual needs or unique circumstances did not feel that these were taken into account when considering their treatment or cancer care (30 references). These participants felt that the system did not sufficiently support those with additional needs, including disabilities or dietary requirements. Some participants were concerned that existing medical conditions (e.g. weakened immune system) were not considered when they were placed in general wards or waiting rooms between appointments. Another specific concern related to patients who had a family history of cancer and requested a mastectomy be considered but were told that this was not an option.
"The waiting time at clinics is unacceptably long. First time I went to the oncologist I was almost an hour in the waiting room and by the time I saw him even the receptionist had gone home. This was very stressful. Female, Age 65-74, Breast Cancer
Patients receiving inpatient treatment commented on the lack of available beds in the ward and the resulting delays in being admitted during their hospital stay. Patients described instances of being moved between several different wards over the course of a day. Several patients commented negatively on being asked to wait in the public waiting room in hospital gowns before treatment. This was also experienced by some patients during outpatient treatment. As well as being uncomfortable, they described feeling upset, claustrophobic and anxious while waiting in the public waiting room during outpatient treatments.